Friday, June 19, 2009

Crochet Kick

About a week ago, on June 13, I started this afghan. Today it's about half done.

The pattern is Chocolate Box from 200 Crochet Blocks by Jan Eaton. It's called Chocolate Box because of the colors she used in the book, browns and tans.

The yarn I'm using here was given to me by my friend Darija. It was from her late mother's stash, which really was huge. I only took a portion of it, about half, and it just about doubled my stash.

This yarn is very fine cotton, almost like crochet thread for doilies:
I had started making a hexagons afghan, with the yarn held double on a size G hook. It was taking forever. Each hexagon is about 3 inches across and takes me about half an hour to make. I was losing patience. So I decided to make the giant Chocolate Box square using the hot colors in the center and the cool colors on the outside, with a black border all around. Darija's mother had like 20 balls of black cotton yarn.

I used a size K hook, with 2 strands of 2 colors together, for a total of 4 strands. The variations in color are pretty interesting that way. It's going so much faster now. In the picture at top, I'm just about done with the purple. If you look closely, you'll see that I've run out of one color and had to substitute another, but with so many colors going on, I don't think it'll matter. For example, the purple on the outermost left is different from the purple on the right.

My plan is to do a diamond in a square. Once the hot colors are done, I'll use the cool colors to crochet on triangles. I don't have pattern or instructions on how to do it, but I think I've figured out a way.

The nice thing about crochet is, you can rip out stitches and redo pretty easily. And crochet is so fast and uses up so much yarn. It's entirely possible that I'll have this done by July 4 weekend to show to all of Husband's relatives who are coming to visit. Ultimately though, I plan to give it to Darija as an appreciation gift and a way to memorialize her mother.

Sunday, June 14, 2009

Which Firefly Character Are You?

Your results:
You are Malcolm Reynolds (Captain)
























Malcolm Reynolds (Captain)
80%
Kaylee Frye (Ship Mechanic)
80%
Zoe Washburne (Second-in-command)
75%
Wash (Ship Pilot)
70%
Dr. Simon Tam (Ship Medic)
55%
River (Stowaway)
50%
Inara Serra (Companion)
45%
Derrial Book (Shepherd)
25%
Alliance
25%
Jayne Cobb (Mercenary)
20%
A Reaver (Cannibal)
0%
Honest and a defender of the innocent.
You sometimes make mistakes in judgment
but you are generally good and
would protect your crew from harm.


Click here to take the "Which Serenity character are you?" quiz...

Pushing Daisies

I've heard of the show Pushing Daisies, but until last night, hadn't ever seen it. I knew it was about a pie maker who has the ability to bring people back from the dead and so has a PI job on the side solving murders. His partner in the PI business is a big black man who knits. And his childhood crush is dead but they can never be together, and so on.

Quirky shows I can do, esp if there's knitting, but I could never find it and frankly it wasn't a high priority for me to do so.

But last night, I was surfing channels on our new flat screen high def digital TV (Husband is loving it), I saw a bit of it for the first time. Turns out, it was the last episode. Figures.

I had no idea that the visuals were so up my alley. The colors! The costumes! The stylized look of it all. To quote from the wikipedia entry:

Visual design
Production Designer Michael Wylie told TV Guide that, "My goal was a storybook come to life. I wanted everything to look almost like an illustration." He achieved this by "concentrating on conflicting patterns in different colors, particularly reds and oranges, but per director Barry Sonnenfeld, virtually no blues."

Cinematographer Michael Weaver told Variety that he and the producers decided the visuals should "feel somewhere between Amélie and a Tim Burton film — something big, bright and bigger than life."

The distinctive storybook-esque style is continued within the overall design of the visual aspects. Regardless of the fact that the show focuses on murder investigations, the morgue is still painted in candy-cane stripes and many of the outfits worn by the characters are vibrantly colored, bright, and cheery (for example, Olive's work uniform is a lime-green pinstriped dress, and Emerson is frequently seen wearing shades of purple).

And of course, Pushing Daisies is cancelled. However it is in my Netflix queue.

Speaking of the new TV, I rewatched Death at a Funeral, on the new TV, with the commentary with Alan Tudyk, and fast forwarded to just his scenes. Did I mention he's naked in much of the movie?

Saturday, June 13, 2009

Gendered Activities

Today is World Wide Knit in Public Day. Or as I call it, everyday, and also known as Embarrass Your Husband In Public Day. Again, that would be everyday.

I am also reading "American Nerd: the Story of My People" by Benjamin Nugent. And this week's alternative weekly paper, Creative Loafing, did a cover article about home brewing beer where the reporter attended a meeting of home brewing enthusiasts.

These three -- knitting, nerdiness, beer brewing -- are very gendered topics. Knitting is done predominately by women and an activity that doesn't get much respect, partly because it is "women's work." Nugent talks about how nerd is a label put on men interested in computers and science fiction, in contrast to the term jock, in a continuum of masculinity.

And the article on the home brewing specifically points out that there are very few women who are brewing beer, as opposed to girlfriends and wives who help their men brew beer. Beer drinking is very much a masculine thing. I don't know why, since I drink beer, enjoy beer, and have many female friends who enjoy beer too.

Brewing is cooking and cooking is "women's work." Unless somehow brewing is like barbeque and then that's acceptable male cooking? I don't know. Maybe because there's science involved with talk about hydrometers and acidity and conversion of sugar and yeast to alcohol. And if it's scientific, then that's manly, like nerds and their computers?

I don't know where I'm going with this post, but knitting, science fiction, and beer are things I enjoy and are very gendered activities.

You know what? forget it. I'm going to go knit on a cardigan that will emphasize my curves and maybe watch the episode of "Dollhouse" where Alan Tudyk puts on the tight, tight t-shirt. Or rewatch "Death at a Funeral" where he wears nothing at all.

eta: I ended up reading "My Own Kind of Freedom" by Steve Brust. Talk about nerdiness. It's a novel-length fan fiction for the space western "Firefly".

Tuesday, June 9, 2009

An Important Women's Health Issue

I got this from a friend and it just cracked me up:

AN IMPORTANT WOMEN'S HEALTH ISSUE
  • Do you have feelings of inadequacy?
  • Do you suffer from shyness?
  • Do you sometimes wish you were more assertive

If you answered yes to any of these questions, ask your doctor or pharmacist about Margaritas.

Margaritas are the safe, natural way to feel better and more confident about yourself and your actions. Margaritas can help ease you out of shyness and tell the world that you're ready and willing to do just about anything. You will notice the benefits of Margaritas almost immediately. With a regimen of regular doses you can overcome any obstacles that prevent you from living the life you want to live. Shyness and awkwardness will be a thing of the past and you will discover many talents you never knew you had.

Stop hiding and start living -- with Margaritas!

Margaritas may not be right for everyone. Women who are pregnant or nursing should not use Margaritas. However, women who wouldn't mind nursing or becoming pregnant are encouraged to try it.

Side effects may include:
  • Dizziness, nausea, vomiting, incarceration
  • Erotic lustfulness
  • Loss of motor control
  • Loss of clothing
  • Loss of money
    Loss of virginity
  • Table dancing and/or lamp shade wearing
  • Headache
  • Dehydration
  • Dry mouth
  • And a desire to sing Karaoke

****** WARNING ***************
The consumption of Margaritas may make you think you are whispering when you are not.

The consumption of Margaritas may cause you to tell your friends over and over again that you love them.

The consumption of Margaritas may cause you to think you can sing.

The consumption of Margaritas may make you think you can converse without spitting.

Sunday, June 7, 2009

Role of Genetics Part 2

Today's NY Times featured an article called Rising Above I.Q. citing a study of Asians, Jews, and West Indians/Black Caribbeans that showed that it is cultural values that emphasize education, not genetics, that account for the success of these three groups.


Of course, I sent this to Brother One, the psychologist, who believes it's 50% nature, 50% nurture. While I, a sociologist, believe it's more like 25% nature, 75% nurture.

I admit that not only is there an element of academic rivalry between him and I, but also sibling rivalry. Who doesn't want to one-up their sibling?

And does it make it better if I acknowledge this?

Here is the entire article:

Op-Ed Columnist
Rising Above I.Q.

By NICHOLAS D. KRISTOF
Published: June 6, 2009

In the mosaic of America, three groups that have been unusually successful are Asian-Americans, Jews and West Indian blacks — and in that there may be some lessons for the rest of us.

Asian-Americans are renowned — or notorious — for ruining grade curves in schools across the land, and as a result they constitute about 20 percent of students at Harvard College.

As for Jews, they have received about one-third of all Nobel Prizes in science received by Americans. One survey found that a quarter of Jewish adults in the United States have earned a graduate degree, compared with 6 percent of the population as a whole.

West Indian blacks, those like Colin Powell whose roots are in the Caribbean, are one-third more likely to graduate from college than African-Americans as a whole, and their median household income is almost one-third higher.


These three groups may help debunk the myth of success as a simple product of intrinsic intellect, for they represent three different races and histories. In the debate over nature and nurture, they suggest the importance of improved nurture — which, from a public policy perspective, means a focus on education. Their success may also offer some lessons for you, me, our children — and for the broader effort to chip away at poverty in this country.


Richard Nisbett cites each of these groups in his superb recent book, “Intelligence and How to Get It.” Dr. Nisbett, a professor of psychology at the University of Michigan, argues that what we think of as intelligence is quite malleable and owes little or nothing to genetics.


“I think the evidence is very good that there is no genetic contribution to the black-white difference on I.Q.,” he said, adding that there also seems to be no genetic difference in intelligence between whites and Asians. As for Jews, some not-very-rigorous studies have found modestly above-average I.Q. for Ashkenazi Jews, though not for Sephardic Jews. Dr. Nisbett is somewhat skeptical, noting that these results emerge from samples that may not be representative.


In any case, he says, the evidence is overwhelming that what is distinctive about these three groups is not innate advantage but rather a tendency to get the most out of the firepower they have.


One large study followed a group of Chinese-Americans who initially did slightly worse on the verbal portion of I.Q. tests than other Americans and the same on math portions. But beginning in grade school, the Chinese outperformed their peers, apparently because they worked harder.
The Chinese-Americans were only half as likely as other children to repeat a grade in school, and by high school they were doing much better than European-Americans with the same I.Q.
As adults, 55 percent of the Chinese-American sample entered high-status occupations, compared with one-third of whites. To succeed in a profession or as managers, whites needed an average I.Q. of about 100, while Chinese-Americans needed an I.Q. of just 93. In short, Chinese-Americans managed to achieve more than whites who on paper had the same intellect.


A common thread among these three groups may be an emphasis on diligence or education, perhaps linked in part to an immigrant drive. Jews and Chinese have a particularly strong tradition of respect for scholarship, with Jews said to have achieved complete adult male literacy — the better to read the Talmud — some 1,700 years before any other group.


The parallel force in China was Confucianism and its reverence for education. You can still sometimes see in rural China the remains of a monument to a villager who triumphed in the imperial exams. In contrast, if an American town has someone who earns a Ph.D., the impulse is not to build a monument but to pass a hat.


Among West Indians, the crucial factors for success seem twofold: the classic diligence and hard work associated with immigrants, and intact families. The upshot is higher family incomes and fathers more involved in child-rearing.


What’s the policy lesson from these three success stories?


It’s that the most decisive weapons in the war on poverty aren’t transfer payments but education, education, education. For at-risk households, that starts with social workers making visits to encourage such basic practices as talking to children. One study found that a child of professionals (disproportionately white) has heard about 30 million words spoken by age 3; a black child raised on welfare has heard only 10 million words, leaving that child at a disadvantage in school.


The next step is intensive early childhood programs, followed by improved elementary and high schools, and programs to defray college costs.


Perhaps the larger lesson is a very empowering one: success depends less on intellectual endowment than on perseverance and drive. As Professor Nisbett puts it, “Intelligence and academic achievement are very much under people’s control.”

Monday, June 1, 2009

current crush

Like many people, I have irrational crushes on celebrities. The ones that you a bit embarrassed to admit.

However, this blog is relatively anonymous, I'm pretty sure I know who's reading this, Husband knows about this crush, and it's 1:30am, the time for deep confessions, so I'm just going to come out and say it.
I have a crush on Alan Tudyk.
I first met him as Wash on "Firefly". A Joss Whedon show cut down in its first season. A show I've been watching over and over, because it's good, and because I get very bad reception on my TV here at the new place and have been rewatching the series and movie, Serenity. Wash is married to Zoe, the kick ass warrior woman, and he's secure enough in himself to be okay with that. Gotta love a man like Wash, and an actor willing to take on that role.
He was Alpha on Dollhouse, Whedon's current show.
He's well built with the big broad shoulders I love. He's a comic actor. As a reviewer once wrote, he straddles the line between handsome and goofy. Sometimes he looks like Gromit, of Wallace and Gromit. He has those funny puppy dog eyes that often look worried or questioning.
As he himself put it in an interview on Entertainment Weekly, he has a Ned Flanders body. Looking rather shapeless in loose clothes, looking good in tight clothes, or none at all, as I will find out in "Death at a Funeral" when it gets sent to me eventually by Netflix.
What's not to like? Heck, he's going to be in the remake, excuse me, the reboot, of the 1980s show V, which I loved the first time around when I was a kid. I hope he gets to kick ass and crack wise. But mostly with the shirtless funny, please.
But I know this crush will not last. My last crush was Jason Bateman of Arrested Development. Although...Husband and I have been Netflixing Season Two of AD, so that crush may yet rise again. Maybe now that I've gotten this confession out into the open, it will fade away. And in the future, who knows what handsome thing will catch my eye?
However, as I told Husband today, Husband's my permanent crush.